Oliver Ashworth-Martin

Achondrite – Eucalyptus & Bronze by Oliver Ashworth-Martin - Sculpture, nature

2019

Variation on a Theme II: Avoidance is a unique bronze, steel and oak wood sculpture by contemporary artist Peter Brooke-Ball, dimensions are 23 cm × 24 cm × 24 cm (9.1 × 9.4 × 9.4 in...

Variation on a theme II : Hegemony is a unique bronze, steel and ash wood sculpture by contemporary artist Peter Brooke-Ball, dimensions are 19 x 31 x 26 cm (7.5 × 12.2 × 10.2 in). ...

Vibration n°2 is a bronze sculpture by contemporary artist Martine Demal, dimensions including base (wood plinth, steel base) are 61 × 24 × 12 cm (24 × 9.4 × 4.7 in). The sculpture i...

Slash is a bronze sculpture by contemporary artist Peter Brooke Ball, dimensions are 21 × 14 × 13 cm (8.3 × 5.5 × 5.1 in). This sculpture is numbere...

Spacetime 1 by British artist Richard Perry (b. 1960). Bronze sculpture, 15.5 cm × 20.5 cm × 16.5 cm / 6.1 x 8.1 x 6.5 in. Richard Perry's artistic appr...

Bronze and Sterling silver on Kilkenny limestone, 24 cm × 18 cm × 10 cm. Edition of 6. Peter Brooke-Ball's works surprise with their humour, simplicity and sensuality. As he himself...

**ATTENTION** This piece can not be shipped. It need to be sold in California where the showroom is located in Los Angeles. California residents will receive free w...

Inspired by the Shoulder Stand in Yoga, aka Sarvangasan, Curiá brings an abstraction to the pose as the figure's legs morph into a wooden boat. The figure has a beautiful green pati...

Sherry Owens Grandfather's Land, 2021 Bronze, patina, crepe myrtle, paint, wax 30 x 46 x 18 inches For over 30 years, sculptor Sherry Owens has used the sinewy crepe myrtle tree to tell her story of the Texas landscape, death, renewal, beauty, and of today’s growing environmental concerns. Remnants of personal stories, visions and observations in nature are the driving forces in her work. She believes that what we see and do in our daily lives leaves a mark on our planet. It is the direct impact of human activities on the natural world, which is visualized in her artistic practice. She creates connections with nature using crepe myrtle trees found along the side of the road. Each stick is hand-carved and cut to fit, then laid in place and secured with a small myrtle peg. What takes precedence in the laborious process is the importance of detail and evidence of the artist’s hand and her interaction with the materials. Sherry Owens is a native Texan, currently living and working in Dallas, TX. She received a BFA from Southern Methodist University. Recent Texas solo exhibitions include The Grace Museum; Cris Worley Fine Arts; Martin Museum of Art; Art Museum of Southeast Texas; and a two-person site-specific installation at the Umlauf Sculpture Garden & Museum. She was also included in recent exhibitions at the Amon Carter Museum of American Art, TX and the Ogden Museum of Southern Art, LA. She has exhibited internationally in Austria, Denmark, Germany, Greece, India, Japan, Peru, and Turkey. Her work is currently on view in the Ground Zero 360 Remembrance Exhibition at the Museum of Biblical Art...

Bronze on oak base Edition of 9 variations Stamped with monogram signature and uniquely numbered 416, 7/9 The raised bronze patterns are finely rubbed and lacquered which will preven...

Bronze on an oak base Unique variation in a series Stamped with monogram signature and uniquely numbered 577A The recessed lines are finished with 24carat gold leaf. Weight: 3.9 kg

Chester L. Williams Label on bottom, signed. Title: Promethium Medium: Bronze, Aluminum and wood. Approx. dimensions: 12 X 11 X 4 inches. Chester Lee Williams (1944-1919) was born in 1944, in Durham, North Carolina. Chester cultivated a creative mind that eventually led him to pursue an education in fine arts and sculpture at North Carolina Central University (BA) and the University of Michigan (MFA). In 1974, he made his way to Tallahassee and started instructing at FAMU. Students at the university have a deep appreciation for the jazz lover’s insight and skill. A lifelong artist, Chester's work has been featured in galleries and publications across the country. The body of his work produced over 45 years has evolved from smooth and supple sculptures into the more angular and defiant shapes seen in his later works. Chester has said: "All of the works are me. I still embrace every one of them." Chester enjoyed traveling and exploring different cultures. His art was influenced by his travel and knowledge of African culture. He was an educator for 37 years, teaching at Voorhees College, North Carolina Central University and Florida A&M University before retiring in 2011. He sold his first piece of art in the ninth grade to his homeroom teacher. (That early sale paid off — years later, that teacher’s husband, the president of a bank, commissioned Williams to create a sculpture for the bank’s lobby.) Originally from North Carolina, Williams came to FAMU in 1974, after teaching art in a technical high school, drawing maps for the U.S. Environmental Protection Agency and even working briefly for IBM as a technical illustrator. For several years he created plaques for Marine Corps, signs for the Forestry Service and metal, fiberglass and wood pieces for the Veterans Administration. He taught ceramics, drawing and painting in a federal prison for 14 years, and said he found a great deal of talent there. His sculptures are nearly ubiquitous in Tallahassee. There’s a figure of the first black policeman who patrolled in Frenchtown placed on Old Bainbridge Road. There’s a bust of FAMU Marching 100 founder William Foster in front of the Foster Tanner Music Building, and a statue of Florida’s first African American secretary...